Digital Asset Manager For Tv BroadcastThe Digital Asset Manager for TV broadcast is responsible for ensuring the technical accuracy, consistency, and integrity of image data from camera acquisition through post-production delivery. This role is heavily focused on media management workflows, organizing and managing the digital assets for our post-production department, color management, metadata accuracy, and efficient media handoff, color, and archive. The position serves as a critical liaison between the Production/Photographers and post-production teams to ensure smooth, compliant, and timely delivery.Key ResponsibilitiesMaintain camera-to-post workflows that support fast-turnaround TV and broadcast post-productionManage all camera media, including offloading, backup, and delivery to post-productionEnsure accurate metadata, file naming, and folder organization in accordance with post-production specificationsCreate, manage, and distribute LUTs and color pipeline documentation for editorial and color workflowsExpert knowledge of off-loading, ingesting media and familiar with file naming conventions and organizing metadataTroubleshoot data, codec, color, or metadata issues that may impact editorial or finishingMaintain consistency across multi-camera productions for seamless post-production integrationRequired Skills & QualificationsStrong understanding of post-production workflows for TV and broadcastProficiency in color management, LUTs, color spaces, and monitoring standardsExperience with data management and QC software (DaVinci Resolve)Knowledge of broadcast codecs, deliverables, and network specificationsExcellent organizational and documentation skillsAbility to work under tight deadlines and high-volume production schedulesStrong communication skills with editorial, color, and technical teamsPreferred QualificationsExperience supporting editorial workflows (Premiere Pro, DaVinci Resolve)Familiarity with shared storage, cloud workflows, and media asset management systemsBackground in post-production, finishing, or digital asset organizationWork EnvironmentPost-production facilities, in studio, no remote work.Fast-turnaround schedules with frequent media deliveriesVariable hours aligned with production and post-production timelines, available to work weekends and on short notice.
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